Women Floor Music Debate

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The first one.

I don’t know how artistry is judged there, but in Australia, the second one would be risking a ‘background music’ deduction because there isn’t a lot of variation in it to interpret in the choreography.

The dance of the sugarplum fairy gives a choreographer a lot more to work with. It doesn’t have to be lyrical. Eythora Thorsdottir did an interesting jerky-puppet sort of interpretation of it at worlds in 2017. (Although she didn’t use the Lindsay Sterling version).




(Lee Yunseo used it in Tokyo too, if you want to look at a different interpretation).
 

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