- Sep 9, 2013
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I will say however while "artistry" certainly plays into a good routine, many choreographers have a distinctive style. When they choreograph over 10 routines at a time, the routines start looking alike. Even great dance choreographers who have a larger pool of steps, skills, leaps to pull from, they have their preferences of skills and steps that they use more often. Hence, I don't think they start from scratch with every gymnast. I am certain they use a lot of similar moves, leaps, turns they feel have worked in the past. So there really isn't a lot of creativity happening all the time. IMO
We have a fantastic choreographer, and none of the above is true for the work she does. Each and every routine is completely unique and fits the gymnast, not the choreographer. She comes in without the gymnast for anywhere from 5-10 hours to do the initial choreography (I know this, because I open the gym for her and watch bits and pieces and provide feedback), then spends 1-2 hours with the gymnast teaching it. She charges less if the kid is more of a power house and mostly tumbles throughout the routine to score well, more if they score well by dancing their little hearts out. She always comes back after the first meet and does a private to fine tune (after watching their recorded performance). One private after the first meet is included in the initial cost. The girls score very high and we have floor champions at every meet. At meets I see the types of routines you are describing above, so I know what you are talking about, but that should not be the norm!